Story and Photos by Aaron Greenhood
“I learned to sing listening to my dad and grandma,” recalled KeAmber Daniels, a member of the group Faith & Harmony. Off-camera, her sister Kadesha nodded in agreement. We sat beside a country road in front of Union Grove Baptist Church in Farmville, North Carolina, on a pleasantly mild January day. It had been nearly a year since the Covid-19 pandemic upended everyday life. Church buildings, like the one behind us, had been shuttered indefinitely, and groups like Faith & Harmony had not sung publicly in at least that long.
In response to the disruption of public and community life wrought by the pandemic, chart-topping musicians engaged audiences online with crude home recordings made by cell-phone cameras, while traditional artists struggled to adapt their art to the digital space. To create a place online for traditional artists to engage with lovers of local culture, the Nash County Arts Council commissioned the streaming concert series Grounded. Launched in January 2021, it features intimate performances by emerging voices in Southern roots music. “Grounded” refers to North Carolina’s deep cultural roots, and the series aims to celebrate the significance, diversity, and vitality of artists while connecting viewers to a sense of place and community.
KeAmber beamed as she told stories about her family and neighbors, Faith & Harmony’s origins, and the songs the group would perform later that day. Union Grove is her home church; she was clearly thrilled to be back there, even if just to stand outside and sing to a few cameras.
Her sister Renay reflected, “This is where we grew up and this is where we still are. This is where we go, this is everything, this is our lifeline. We had to be here every Sunday, and I’m grateful for that, because it made a great foundation for us to carry on with our own children, and this is where they are starting, as well.”
Faith & Harmony are the six granddaughters of Johnny Ray Daniels and Dorothy Vines, the founding members of eastern Carolina’s celebrated gospel group The Glorifying Vines Sisters. Faith & Harmony members are Kadesha Spaight, Renay Sugg, KeAmber Daniels, Andrea Edwards, Christy Moody, and Tinesha Weaver. “Music and family go hand in hand for us,” KeAmber said. From the first note to the last, the group performs with breathless intensity—a characteristic that defines the distinct sacred soul tradition alive throughout eastern North Carolina. Like The Dedicated Men of Zion, Bishop Albert Harrison & the Gospel Tones, Big James Barrett & the Golden Jubilees, and Little Willie & the Fantastic Spiritualaires, the sacred soul tradition is characterized by Jubilee singing and song selection that draws from spirituals, hymns, and traditional quartet gospel. More importantly, it is a sound that is nostalgic or as KeAmber puts it, it is reminiscent of "that old, deep-rooted, Christian church sound".
The Glorifying Vines photographed in Farmville, NC in 2017
Left to Right: Johnny Ray Daniels, Alice Vines, Dorothy Vines, Maddie Harper, Curtis Harper
The Vines and Daniels can trace their roots back to when enslaved Africans were brought to the eastern part of the state in the late 1600s and early 1700s. At the time, enslaved people were converted en masse to Christianity, and the church became one of the few places enslaved people were permitted to share fellowship. European sacred music and church tradition were soon superimposed on African singing conventions to create gospel’s predecessor: spirituals. Spirituals were the first generation of African music to be born in exile. Among the music’s many descendants are gospel, blues, soul, rhythm and blues, rock and roll, and hip-hop.
The two families have followed the Black gospel tradition—specifically, quartet gospel, which is also known as jubilee singing—from one generation to the next in an unbroken link for nearly 300 years. Jubilee singing employs syncopated rhythms, overlapping melodies, and extended vamps characterized by call-and-response singing with rhythmic short, repeated phrases sung behind a lead singer’s vocal improvisation and religious testimony. More than anything, the singular aim of the song delivery is to rouse the church attendees into an ecstatic and holy reverie.
“We’ve been singing together pretty much all our lives. We decided to formally call it a group around four or five years ago,” KeAmber said. It started with a surprise performance at their church that the sisters planned for the birthday of their father, Anthony. They enlisted their cousins to sing an a cappella performance of the song “Victory,” adapted to their sacred soul style. “We would sneak away from choir practice to work on it together,” she said. When the day came, Anthony, along with the rest of the congregation, was delighted and overwhelmed. Word spread, and soon they were receiving invitations to perform at anniversaries, birthdays, and services all over the coastal plain.
The group’s repertoire grew to include hard-driving interpretations drawn from the traditional gospel canon, such as “Leak in This Old Building'' and “Right Now I Feel Alright,” originals like “I’ll Praise Him,” and a tribute to the Glorifying Vines’ energetic rendition of the old hymn “We’ll Work ‘til Jesus Comes.” Of “We’ll Work,” KeAmber says, “We wanted to carry on the torch. It’s our nod to them to say, ‘Hey, all your work, we were watching, and we are going to pick it up and follow in your footsteps.’” These songs, along with the Andrea Edwards’-led “Come See About Me, Jesus,” comprise the tight set the group performed for “Grounded.”
KeAmber is grateful for the attention that she and her bandmates are receiving. “We are a young group of women with an old sound. . . the style of spiritual music that we sing [is inspired by the] Christian church sound that we grew up on.” KeAmber and her bandmates cherish the opportunity to keep that sound alive.
Watch their full episode on Grounded, Presented by Nash County Arts Council below
Directed & Edited by John Laww
Produced by Aaron Greenhood
Camera Operators: Corey Reid & John Laww
Audio Engineering and Mixing: Aaron Greenhood
Vocals: Kadesha Spaight, KeAmber Daniels, Andrea Edwards,
Christy Moody, Tinesha Weaver, Renay Sugg
Keyboard: J-Rock Blow. Organ; Antwan Daniels. Drums; Jahiem Daniels
North Carolina Arts Council
Celebrate Black History Month with the North Carolina Arts Council as we recognize the achievements and influence of Black cultural workers and creatives throughout our state. More than a half-century ago, Carter G. Woodson initiated the first celebration of Negro History Week which led to Black History Month being formally recognized in 1976. Since then, the month of February serves to both reaffirm and uphold the historical importance of Black Americans.
This month we will:
◼️ #ShareTheMic with the Harvey B. Gantt Center and the North Carolina African American Heritage Commission
◼️ Amplify the work of Black musicians by sharing music-related facts that are specific to North Carolina's Black History on Twitter and Instagram
◼️ Highlight the achievements of emerging and well-established Black artists in N.C.
Since its establishment in 1974, the dream of the first visionaries (Mary Harper and Bertha Maxwell) has elevated to unforeseen levels. Located in the heart of Uptown Charlotte, October 2009 marked the opening of the Afro-American Cultural Center as the Harvey B. Gantt Center for African-American Arts + Culture. The Gantt Center presents, preserves and celebrates excellence in the art, history, and culture of African-Americans and people of African descent.They ignite engagement and conversations that inspire, empower, and enlighten all.
The North Carolina General Assembly created the African American Heritage Commission (AAHC) in 2008 to “assist the Secretary of Cultural Resources in the preservation, interpretation, and promotion of African American history, arts, and culture.” With this legislation the AAHC has identified African American heritage practitioners, such as curators, docents, and museum directors, as priority service populations. The AAHC was recognized as a division of the Department of Natural and Cultural Resources in 2017, after being housed in the Office of Archives and History and the North Carolina Arts Council. The commission works across the Department of Natural and Cultural Resources to achieve the mission of preserving, protecting, and promoting North Carolina’s African American history, art, and culture, for all people.
Looking for ways to celebrate Black History Month, AAHC has got you covered! Head over to their website to learn more about their Black History Month Read-In and Black History Month events happening across the state. CLICK HERE