#podcast

Songs We Love: WUNC Youth Reporting Team on G Yamazawa's "North Cack"

Thursday, August 1, 2019

Songs We Love is a weekly podcast series partnership between Come Hear NC and WUNC that explores North Carolina music one song at a time. On this episode from July, the WUNC Youth Reporting Team talks with Kamaya Truitt-Martin, subbing in for Eric Hodge, about the anthemic "North Cack" by G Yamazawa.

Follow this link to hear the conversation and check out the iconic music video below.

Songs We Love: Tim Duffy on the Carolina Chocolate Drops' "Cornbread and Butterbeans"

Thursday, July 18, 2019

Songs We Love is a weekly podcast series partnership between Come Hear NC and WUNC that explores North Carolina music one song at a time. On this episode from February, Music Maker Relief Foundation co-founder Tim Duffy talks with Eric Hodge about "Cornbread And Butterbeans" from the Grammy Award winning album Genuine Negro Jig by The Carolina Chocolate Drops.

"Cornbread and butterbeans is a staple to a lot of old timers. With Music Maker Relief Foundation I've worked with a lot of elderly North Carolina artists and that's breakfast, lunch, and dinner for a lot of folks."

Follow this link to listen to the conversation and hear the song below.

“Down the Road”: Our Favorite Episodes

Sunday, July 14, 2019

Hosted by Laura Boosinger, a musician and director of the Madison County Arts Council, this podcast series highlights bluegrass and old-time music stories, performers, and traditions across the mountain and foothills counties of western North Carolina. These traditions and stories are the soul and spirit of the Blue Ridge Music Trails of North Carolina.

Episodes air weekly on WNCW-FM (88.7) at 8:50 am on Tuesday mornings and 4:30 pm on Sunday afternoons.

Here are a few of our favorite episodes:

 

Jimmie Rodgers Lands in Asheville Before the Big Bang of Country Music

https://www.blueridgemusicnc.com/listen-and-learn/down-the-road/jimmie-r...

Jimmie Rodgers’s songs have been covered by generations of country and bluegrass musicians. Bill Monroe, the father of bluegrass music, performed Rodgers’s “Mule Skinner Blues” the first time he appeared on the Grand Ole Opry, and North Carolinian Doc Watson rarely played a gig without singing one of Rodgers’s bluesy numbers. Born in Mississippi, Jimmie Rodgers moved to Asheville, N.C. in 1927 and secured a weekly show on local radio station WWNC. On this episode of Down the Road, find out how an influential connection with North Carolina native and music promoter Bascom Lamar Lunsford secured Jimmie an audition at the legendary Bristol Sessions.


 

Doc Watson Recalls Mountain Childhood

https://www.blueridgemusicnc.com/listen-and-learn/down-the-road/doc-wats...

Arthel Lane Watson, better known as “Doc,” grew up on Osborne Mountain in Watauga County, N.C. Doc lost his sight to an eye infection before the age of one, but he would grow up to become the most celebrated Appalachian musician ever. Doc talked about his childhood in an interview with David Holt, included on the 2001 Legacy box set.


 

Bascom Lamar Lunsford Championed Mountain Music and Dance

https://www.blueridgemusicnc.com/listen-and-learn/down-the-road/bascom-l...

Celebrated as “the Minstrel of the Appalachians,” Bascom Lamar Lunsford was born in Madison County, N.C. A jack of all trades, Lunsford worked as a tree-salesman, Democratic political campaign manager, honeybee promoter, lawyer, federal worker, teacher, amateur folklorist/collector, festival organizer, performer, and reading clerk for the North Carolina House of representatives. The organizer of the Mountain Dance and Folk Festival, Lunsford also has the distinction of recording over 300 sides for the Library of Congress from memory and performing for King George VI.

Randy Newman's Ode to the Research Triangle on the Songs We Love Podcast

Saturday, April 6, 2019

We've teamed up with WUNC Music on a podcast series that explores North Carolina music one song at a time. This week Libby Rodenbough of Mipso talks with Eric Hodge about Randy Newman's song, "The Great Debate," which is set in the North Carolina's Research Triangle Park. Take a listen here!

WUNC Music Presents: Come Hear NC on the Songs We Love Podcast

Thursday, February 14, 2019

WUNC Music launches a new series this week that explores North Carolina music one song at a time called Come Hear NC on the Songs We Love podcast. All year they are asking people from the music community to come and talk about a song that they think says something about our home state. North Carolina is home to ground breaking artists spanning gospel to indie rock, old time to metal, country to hip hop, beach music to jazz. They will bring in musicians, writers and club owners to talk about the songs they love. You may be surprised by some of their choices.

The series launches with episode zero out on Valentine’s Day. There are new episodes of the podcast every Saturday. WUNC will also be broadcasting a radio version of the series every Saturday at 5:34 PM (during All Things Considered) and Sunday at 9:34 AM (during Weekend Edition).

Come Hear NC on the Songs We Love Podcast is hosted by WUNC’s Eric Hodge.  It’s produced in cooperation with Come Hear North Carolina, an effort lead by the North Carolina Arts Council and the Department of Natural & Cultural Resources to celebrate the breadth of North Carolina Music.

 

Echoes of the British Isles: The Music of Lauchlin Shaw and A.C. Overton

Saturday, February 16, 2019

NEW PODCAST EPISODE! 

Lauchlin Shaw was a Harnett County-based fiddler whose family was a part of the 18th and 19th century wave of Scottish immigration to North Carolina.

“His great-grandfather had come from the Isle of Jura off Scotland’s coast up through the Cape Fear River Valley,” says Wayne Martin. “That’s a really important story for North Carolina that we don’t hear about so much now.”

Shaw’s grandfather and father spoke Gaelic and he went to church services in Harnett County that were given in Gaelic. The many fiddle tunes he performed were passed down through generations of fiddle players in his family.

In our final installment of Director’s Cut, Wayne Martin shares a field recording of “Sally With The Run Down Shoes,” a traditional dance tune performed by Lauchlin Shaw and Chatham County banjoist A.C. Overton.

Director's Cut is a special music themed season of Arts Across NC, curated in celebration of Come Hear North Carolina, a campaign for the 2019 North Carolina Year of Music. In each episode NC Arts Council Director Wayne Martin will unearth a field recording from the archive he built during his 30+ year tenure with our agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina.

Arts Across NC is a podcast by and about the North Carolina Arts Council.

SUBSCRIBE TO ARTS ACROSS NC ON APPLE PODCASTSSTITCHER AND SOUNDCLOUD.

Etta Baker is Known for Her Mastery of the Guitar, But Every Now and Then She Sang Too

Sunday, February 10, 2019

NEW PODCAST EPISODE! 

Etta Baker is one of North Carolina’s most famous Piedmont blues guitarists. Born in Caldwell County, she started learning guitar from her father when she was three. Her masterful, emotive pickin’ first appeared in 1956 on the album Instrumental Music from the Southern Appalachians, but it took 35 years before her next recording - and first solo record - One Dime Blues appeared. That album arose from many years of recording sessions produced by Wayne Martin, our host of “Director’s Cut.”

“I felt like she was one of the most extraordinary expressive musicians who I had ever met,” says Wayne Martin. “I remember hearing her play John Henry with a slide and I can remember my thought: I’m in the presence of a musical genius.” 

Etta Baker’s sound and style influenced the likes of Bob Dylan and Taj Mahal.  In this episode of Director's Cut, Wayne Martin shares "Broken Hearted Blues,” a rare recording that features Baker both playing guitar and singing. “Most of the time she would let the guitar do the talking for her,” says Wayne. “But just very occasionally she would sing.” 

Director's Cut is a special music themed season of Arts Across NC, curated in celebration of Come Hear North Carolina, a campaign for the 2019 North Carolina Year of Music. In each episode NC Arts Council Director Wayne Martin will unearth a field recording from the archive he built during his 30+ year tenure with our agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina.

Arts Across NC is a podcast by and about the North Carolina Arts Council.

SUBSCRIBE TO ARTS ACROSS NC ON APPLE PODCASTSSTITCHER AND SOUNDCLOUD.

Director's Cut: Doug Wallin

Friday, February 1, 2019

NEW PODCAST EPISODE! 

One hundred years ago famed folk-song collectors Cecil Sharp and Maud Karpeles visited North Carolina and documented hundreds of ballads and folk songs that had their roots in the British Isles. The epicenter of our state's ballad singing tradition is Madison County, NC. In the second installment of Director's Cut, a special mini-season of Arts Across NC, Wayne Martin shares a "Jack-A-Roe," a ballad performed by Doug Wallin.

Doug lived far up a holler in Madison County, and he learned how to sing ballads from his mother Berzilla. He once told Wayne Martin he sung all the time...even when he was falling asleep at night.

"Doug himself was an extraordinary ballad singer for two reasons. The texts of his tunes were very full and well developed...plus he was very musical and he was able to put beautiful tunes to the songs themselves," says Wayne.

The National Endowment or the Arts awarded Wallin the National Heritage Award in 1990. He passed away in 2000.

Director's Cut is a special music themed season of Arts Across NC, curated in celebration of Come Hear North Carolina, a campaign for the 2019 North Carolina Year of Music. In each episode NC Arts Council Director Wayne Martin will unearth a field recording from the archive he built during his 30+ year tenure with our agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina.

Arts Across NC is a podcast by and about the North Carolina Arts Council. 

SUBSCRIBE TO ARTS ACROSS NC ON APPLE PODCASTSSTITCHER AND SOUNDCLOUD.

The work songs of the Menhaden Chanteymen grew out of North Carolina's Commercial Fishing Industry

Friday, January 25, 2019

NEW PODCAST EPISODE!

The North Caroilna Arts Council is back with a new music themed season of their podcast Arts Across NC called "Director's Cut." Over the next four episodes, Wayne Martin, executive director of the North Carolina Arts Council, will unearth a field recording from the archive he built during his 30+ year tenure with the agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina."

Up first is the song "Going Back to Weldon," performed by the Menhaden Chanteymen in 1988.

There was a time when a stinky, oily fish ruled eastern North Carolina. From the late 1800s through much of the 20th century, menhaden sat at the economic epicenter of Beaufort, North Carolina. Year in and year out, generations of working class men and women caught, processed, packaged and shipped menhaden, also known in North Carolina's Core Sound region as shad. As the town grew alongside the burgeoning industry, so to did a new style of work song developed by African American men who often handled the back-breaking work of hauling in thousands of pounds of fish. These songs- called chanteys - outlived the industry itself and today we share the story and music of the Menhaden Chanteymen.

Subscribe to Arts Across NC on Apple Podcasts, Stitcher and SoundCloud.

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