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Director's Cut: Lauchlin Shaw and A.C. Overton

Lauchlin Shaw and A.C. Overton by Mary Anne McDonald
Saturday, February 16, 2019

NEW PODCAST EPISODE! 

Lauchlin Shaw was a Harnett County-based fiddler whose family was a part of the 18th and 19th century wave of Scottish immigration to North Carolina.

“His great-grandfather had come from the Isle of Jura off Scotland’s coast up through the Cape Fear River Valley,” says Wayne Martin. “That’s a really important story for North Carolina that we don’t hear about so much now.”

Shaw’s grandfather and father spoke Gaelic and he went to church services in Harnett County that were given in Gaelic. The many fiddle tunes he performed were passed down through generations of fiddle players in his family.

In our final installment of Director’s Cut, Wayne Martin shares a field recording of “Sally With The Run Down Shoes,” a traditional dance tune performed by Lauchlin Shaw and Chatham County banjoist A.C. Overton.

Director's Cut is a special music themed season of Arts Across NC, curated in celebration of Come Hear North Carolina, a campaign for the 2019 North Carolina Year of Music. In each episode NC Arts Council Director Wayne Martin will unearth a field recording from the archive he built during his 30+ year tenure with our agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina.

Arts Across NC is a podcast by and about the North Carolina Arts Council.

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Director's Cut: Etta Baker

Etta Baker
Etta Baker
Sunday, February 10, 2019

NEW PODCAST EPISODE! 

Etta Baker is one of North Carolina’s most famous Piedmont blues guitarists. Born in Caldwell County, she started learning guitar from her father when she was three. Her masterful, emotive pickin’ first appeared in 1956 on the album Instrumental Music from the Southern Appalachians, but it took 35 years before her next recording - and first solo record - One Dime Blues appeared. That album arose from many years of recording sessions produced by Wayne Martin, our host of “Director’s Cut.”

“I felt like she was one of the most extraordinary expressive musicians who I had ever met,” says Wayne Martin. “I remember hearing her play John Henry with a slide and I can remember my thought: I’m in the presence of a musical genius.” 

Etta Baker’s sound and style influenced the likes of Bob Dylan and Taj Mahal.  In this episode of Director's Cut, Wayne Martin shares "Broken Hearted Blues,” a rare recording that features Baker both playing guitar and singing. “Most of the time she would let the guitar do the talking for her,” says Wayne. “But just very occasionally she would sing.” 

Director's Cut is a special music themed season of Arts Across NC, curated in celebration of Come Hear North Carolina, a campaign for the 2019 North Carolina Year of Music. In each episode NC Arts Council Director Wayne Martin will unearth a field recording from the archive he built during his 30+ year tenure with our agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina.

Arts Across NC is a podcast by and about the North Carolina Arts Council.

SUBSCRIBE TO ARTS ACROSS NC ON APPLE PODCASTSSTITCHER AND SOUNDCLOUD.

Director's Cut: Doug Wallin

Doug Wallin with his brother Jack Wallin | Photo by Rob Amberg
Friday, February 1, 2019

NEW PODCAST EPISODE! 

One hundred years ago famed folk-song collectors Cecil Sharp and Maud Karpeles visited North Carolina and documented hundreds of ballads and folk songs that had their roots in the British Isles. The epicenter of our state's ballad singing tradition is Madison County, NC. In the second installment of Director's Cut, a special mini-season of Arts Across NC, Wayne Martin shares a "Jack-A-Roe," a ballad performed by Doug Wallin.

Doug lived far up a holler in Madison County, and he learned how to sing ballads from his mother Berzilla. He once told Wayne Martin he sung all the time...even when he was falling asleep at night.

"Doug himself was an extraordinary ballad singer for two reasons. The texts of his tunes were very full and well developed...plus he was very musical and he was able to put beautiful tunes to the songs themselves," says Wayne.

The National Endowment or the Arts awarded Wallin the National Heritage Award in 1990. He passed away in 2000.

Director's Cut is a special music themed season of Arts Across NC, curated in celebration of Come Hear North Carolina, a campaign for the 2019 North Carolina Year of Music. In each episode NC Arts Council Director Wayne Martin will unearth a field recording from the archive he built during his 30+ year tenure with our agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina.

Arts Across NC is a podcast by and about the North Carolina Arts Council. 

SUBSCRIBE TO ARTS ACROSS NC ON APPLE PODCASTSSTITCHER AND SOUNDCLOUD.

Director's Cut: The Menhaden Chanteymen

Menhaden fishermen from the Charles A. Farrell Photo Collection, State Archives of North Carolina
Friday, January 25, 2019

NEW PODCAST EPISODE!

The North Caroilna Arts Council is back with a new music themed season of their podcast Arts Across NC called "Director's Cut." Over the next four episodes, Wayne Martin, executive director of the North Carolina Arts Council, will unearth a field recording from the archive he built during his 30+ year tenure with the agency. Each song represents a different region of North Carolina.

"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina."

Up first is the song "Going Back to Weldon," performed by the Menhaden Chanteymen in 1988.

There was a time when a stinky, oily fish ruled eastern North Carolina. From the late 1800s through much of the 20th century, menhaden sat at the economic epicenter of Beaufort, North Carolina. Year in and year out, generations of working class men and women caught, processed, packaged and shipped menhaden, also known in North Carolina's Core Sound region as shad. As the town grew alongside the burgeoning industry, so to did a new style of work song developed by African American men who often handled the back-breaking work of hauling in thousands of pounds of fish. These songs- called chanteys - outlived the industry itself and today we share the story and music of the Menhaden Chanteymen.

 

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