Some of the most esteemed and respected women in old-time music will lead workshops in fiddle, banjo, guitar, bass, mandolin, flat foot dance/square dance calling, and harmony singing during the Women! Mount Air Old-Time Workshops scheduled Thursday, Feb. 28 to Saturday, March 2.
Hosted by the Surry Arts Council with support from the N.C. Department of Natural & Cultural Resources the workshops are being held in conjunction with the Tommy Jarrell Festival, which also kicks off on Thurs., Feb. 28 with old-time dance lessons.
Registration is still open, and students and adults of all ages are invited to participate. Register online through the Surry Arts Council's secure Eventbrite site. Tuition is $300 and includes classes, meals (lunch and dinner), event tickets, and a t-shirt.
Classes will be held at the Andy Griffith Playhouse and the Historic Earle Theatre in Mount Airy, N.C.
The following musicians are leading the workshops:
Caroline Beverley teaches mandolin, singing, guitar and string band classes at Alleghany JAM (Junior Appalachian Musicians) at Surry Community College in Dobson and plays mandolin for the Virginia based old-time band, the New Ballards Branch Bogtrotters, as well as other N.C. bands.
Trish Kilby Ford started playing old-time music as a young teenager under the instruction of Emily Spencer and many other old-time and bluegrass musicians around her hometown of Lansing in Ashe County, N.C. In the 26 years of playing old-time music, Trish has been influenced by legends in traditional music, including Thornton and Emily Spencer, Dean Sturgill, the Birchfield Family, Ola Belle Reed, just to name a few. She has played with many groups and traveled internationally.
Erynn Marshall is an old-time fiddler who lives in Galax, Virginia and is known nationally and beyond for her traditional music she learned Appalachian old-time fiddling from rare recording and visiting 80-95-year-old southern fiddlers for decades. Erynn performs at festivals and music camps around the globe and often tours with her husband – songwriter and multi-instrumentalist Carl Jones.
Terri McMurray has great chops on 5-string banjo, banjo uke, and guitar. She studied with many masters including the late Tommy Jarrell and has played with great banjoists including Dix Freeman, Fields West, Benton Fllippen and Kyle Creed. Terri co-founded the Old Hollow String Band and has also performed with the Toast String Stretchers, the Mostly Mountain Boys and the Mountain Birch Duo with Paul Brown. She has taught at numerous banjo camps, including in England.
Emily Spencer is a certified PK-12 teacher and has taught fiddle, banjo, guitar, mandolin, dulcimer and bass in the schools and at Wilkes Community College and Wytheville Community College. She has played music since childhood and started playing with the Whitetop Mountain Band in the 1970s with Thornton Spencer and continues with the band today.
Martha Spencer is the daughter of Emily and Thornton Spencer, the leaders of the Whitetop Mountain Band. She began dancing and playing at a young age and currently plays fiddle, banjo, guitar, bass, and dulcimer. She has won countless competitions for her Appalachian dancing and has taken part in master dance workshop at the National Folk Festival (USA), Woodford Folk Festival (AU) and Lowell Folk Festival (USA). Her music passion includes passing on the traditions and she has been an instructor in the Junior Appalachian Music (JAM) program in Ashe County and plays with numerous bands.
The following post draws from the traditional artist directory of our partners at the Blue Ridge National Heritage Area.
With an entertaining career that spanned more than 60 years, Carl Story (1916-1995) has been called “The Father of Bluegrass Gospel Music.” Story played fiddle with Bill Monroe’s Bluegrass Boys starting in 1942, before joining the Navy in 1943. After his discharge, Story helped shape the bluegrass gospel style and led a band that served as a training ground for many musicians.
Born in Lenoir in 1916, Story grew up hearing his father play fiddle. By the time he was a teenager, Story was playing fiddle and guitar and performing on local radio programs. He led a band in his early twenties that included a three-finger banjo player, helping pioneer the bluegrass sound. Story traveled around the region playing on different radio stations. He played in Lynchburg, Virginia, in the early 1930s, and moved to Spartanburg, South Carolina, in the mid-’30s, where he joined Johnnie Whisnant and formed the Lonesome Mountaineers and Rambling Mountaineers. He played with these groups until joining Bill Monroe’s band in 1942.
After World War II, Story reorganized his band in Asheville, signed with Mercury, and performed at radio stations in Knoxville and Bristol, Tennessee. His group, the Rambling Mountaineers performed both secular and sacred music, but most of their repertoire was gospel.
Story’s band recorded with Mercury for five years, and later recorded on the Columbia and Starday labels. During the peak years of his career, Carl Story and his Rambling Mountaineers hosted radio and television shows in several Southeastern states and had a 10-year affiliation with WNOX’s Tennessee Barn Dance program in Knoxville. His band was a fixture at bluegrass festivals throughout the 1970s, ’80s, and early ’90s.
Story retired to Greer, South Carolina, where he worked as a disc jockey and continued to perform until his death in 1995. Over the course of his entertainment career, Carl Story recorded more than 2,000 songs and 55 albums. A section of NC Highway 18 that passes through his hometown of Lenoir is named in his honor and he is a member of the International Bluegrass Music Association’s Bluegrass Hall of Fame.
The North Caroilna Arts Council is back with a new music themed season of their podcast Arts Across NC called "Director's Cut." Over the next four episodes, Wayne Martin, executive director of the North Carolina Arts Council, will unearth a field recording from the archive he built during his 30+ year tenure with the agency. Each song represents a different region of North Carolina.
"These pieces that I've chosen are part of the fabric of who we are as a people," says Wayne. "They are pieces that tell the story of North Carolina."
Up first is the song "Going Back to Weldon," performed by the Menhaden Chanteymen in 1988.
There was a time when a stinky, oily fish ruled eastern North Carolina. From the late 1800s through much of the 20th century, menhaden sat at the economic epicenter of Beaufort, North Carolina. Year in and year out, generations of working class men and women caught, processed, packaged and shipped menhaden, also known in North Carolina's Core Sound region as shad. As the town grew alongside the burgeoning industry, so to did a new style of work song developed by African American men who often handled the back-breaking work of hauling in thousands of pounds of fish. These songs- called chanteys - outlived the industry itself and today we share the story and music of the Menhaden Chanteymen.
The mountains and foothills of North Carolina are known internationally as places rich in traditional old-time music, stringband music, ballad singing and bluegrass, and ways to experience authentic music flourish throughout the region. From hometown opry’s and informal jam sessions to concert stages, festivals and old-time music conventions, visitors can enjoy traditional music and dance in friendly, informal settings, some dating back almost a century. The North Carolina Arts Council developed the Blue Ridge Music Trails to encourage travelers to explore the regions incredible music experiences.
An important focus of Blue Ridge Music traditions is the town of Mt. Airy, the hometown of Andy Griffith (and inspiration for his famous Mayberry). Nestled in the foothills of the mountains, the town is home to the second longest currently running live radio program in the nation: WPAQ’s Merry-Go-Round. Every Saturday WPAQ presents live, local and regional music on the Merry-Go-Round, a live radio broadcast staged in The Earle, a vintage movie theater in the heart of Mt. Airy. The podcast Down The Road, a production of the Blue Ridge Music Trails by the Blue Ridge National Heritage Area, explores the history of WPAQ’s Merry-Go-Round in this episode.
American blues and folk musician Elizabeth “Libba” Cotten was born on January 5, 1893 in Carrboro, N.C. Perhaps best known for teaching the world “Freight Train,” Cotten grew up near the railroad track which inspired her to write “Freight Train” at age 11, two years before she went to work as a domestic worker.
Married at 17, Cotten spent years moving around the country with her husband Frank Cotten only to divorce and settle in Washington, D.C. once her daughter was married. While doing domestic work for the family of composer and folklorist Ruth Crawford Seeger and Charles Seeger, Cotten idly picked up a guitar and revealed herself to be precisely the kind of folk musician the Seegers held up as an ideal. By then she was more than 60-years-old. Seeger’s son Mike recorded her songs, releasing them just in time for the Folk Revival of the early 1960s. Cotten toured the world and won a Grammy in 1984 a year before her death. Her music has been covered by Joan Baez, Bob Dylan and Doc Watson, and her signature fingerpicking style - crafted in part because she played her guitar upside down and backwards, is known as “Cotten picking.”