December 4 – 10, 2006: Josh Hockensmith & David Need
Between birth and death, a wide, bright hall after Bede The bus almost doesn't stop but does, surprised. A sparrow hops up and in. It's warm on the bus, and just a little darker than she had expected. The sparrow pays, hops back to a seat. Not too bad. The ride's a little bumpy. Periodically, she jumps and flaps to look out the window. They're moving fast but not so fast. She jumps in time to see a storefront sign in passing -- PANTS PLUS -- but lands again, little claws ticking on the orange plastic seat, before she can make sense of it. And just like that, they're at 8th Street, her stop, and she's on the wing again. Heart Sutra, remix rhythm is form rhythm is form rhythm is form, form is emptiness rhythm is form, form is emptiness, emptiness form, form rhythm rhythm is form, form is emptiness emptiness form, form rhythm rhythm is form, form is emptiness emptiness form, form rhythm rhythm is form, form is emptiness emptiness form, form rhythm rhythm is form, form is emptiness emptiness form, form rhythm rhythm is form, form is emptiness emptiness form, form rhythm rhythm is form, form is emptiness emptiness form, form rhythm rhythm is form form is emptiness emptiness form form Josh Hockensmith is a poet, translator, and book artist who has been living in Chapel Hill since 2000. His essays and poetry have appeared in South by Southeast, Oyster Boy Review,and Cafe Irreal, among others. His translations have appeared in Cafe Irreal, Bolivian Studies Journal, and the PEN Boliviaannual publications for 2003 and 2004 and anthologized in Narrative from Tropical Bolivia (Editorial La Hoguera, 2003). The Vancouver Chamber Choir used his translations of Mexican poet Jose Gorostiza for a performance in 2004. He also produces one-of-a-kind books on commission, and his books have been collected by UNC's Sloane Art Library for its collection of artist books. He has produced small editions of hand-made books in collaboration with other poets and artists, including Jeffery Beam, Stephen Addiss, and Ippy Patterson.

Mulberry Window I A mulberry broken from last year's storm leans what's left over the old white fence and, lighter than air, tohees pause, turned north, red-breast spring again beyond my grey window; I feel my heart wanting to fly as usual; it either does not know or does not care that dolorous shadows of distant wars are on the march, pulling us in tides across the faithful new-green fields to failure; & not as storm nor sowing fire, and nothing but parking lots growing, and still, launching its small hunger, each bird vanishes into the wider promise. II How many days are simply white falls, a passing sheeting surface against stilled eyes? The world's inertia bears down and rises in familiar greens, the neighbors' house rises away into the future sky in its private symphonies, the body's weight leaves no print on the white, collapsing and billowing scrolls, the hand can make nothing from passing color no matter how hard the grip. Work falls away like tools left behind in the tall, waving grass. III My eyes are not filled with new color at either sunset or dawn, there is no emptiness there like the space inside a pail, no dipper tasting or taking, nothing without that comes, frame by frame, museumed to be mine; eye touches world like a trembling drum, a host of grass stalks swept by winds again and again, where the world pulls us against our roots. IV Though even the earth comes apart, and death the end for every eye and this flesh, loosened, drops from the frame like heavy clay, each vine has lasted in the infinite awhile longer than logic would allow, poised in the impossible among other dense realizations -- this year's mallow and false indigo, the cosmos that have wandered a few yards, the rose, eaten by deer, its bare bones drying -- opened from between nowhere, like breaths or pages of the sun. V It is not simply that there is a rose in a thin glass on the round table, among other departing shapes in the gathering twilight, nor simply the absence of the rose proposed by its slim thorny stem, the way the first stroke on a page begins the unravelling, the way Rodin found the Gates of Hell deep inside a surface; and lifted them out, its that this rose is doubled, drawn before me and already elsewhere and is, like all things that surface in this way, a good mirror. VI Out my window, a grey titmouse pauses in the mulberry sifting (though the berries are gone) like a shadow; and I was thinking, "why is it that tree needs us so much to say it?" And wondering, "what is it I am trying to say That is not tree?" There is always this (not-quite) fit Between the tool and the task. Between a divided hunger and the territory Over which it searches. Person who is not world who breathes world, And the vast space that opens in the small, grey wings. David Need is a writer and teacher who has lived in Durham since 1994. His poetry is largely unpublished save in hand-made, limited additions or small local magazines such as The Blotter. He has poems forthcoming in Oyster Boy Review. In the 1990s, Mr. Need helped organize and/or participated in several short-lived reading series in Durham, including the Meanwhile Exhibition, Speak, and the Midnight Readings at Main St. Cafe. From 1996-1998, he taught creative writing at the Carver Hill Adolescent Treatment Center through the Durham Arts Council and taught Community Education courses on the poetry of Rainer Maria Rilke. He currently writes on visual arts and literature for The Independent Weekly and has a monthly review column in the on-line poetry journal MiPOesias. Since 2000, he has been teaching courses on Asian religions and on Russian and American arts and literature at Duke University.
December 11 – 18, 2006: Carole Boston WeatherfordTwo new books by Ms. Weatherford made their debut in September. A prose poem, Moses: When Harriet Tubman Led Her People to Freedom (New York, NY: Hyperion Books for Children, 2006), imagines Harriet Tubman's journey from her first escape to her return South to free others. The story unfolds through conversations between Harriet and God. Illustrated by Kadir Nelson, Moses has received four starred reviews and has been named a best book of 2006 by School Library Journal, Kirkus Reviews, Horn Book Guide, and Nick Jr. Family Magazine. It begins as follows: On a summer night, Harriet gazes at the sky and talks with God. I am your child, Lord; yet, Master owns me, drives me like a mule. Now he means to sell me South in chains to work cotton, rice, indigo or sugarcane; never to see my family again. God speaks in a whippoorwill's song. I SET THE NORTH STAR IN THE HEAVENS AND I MEAN FOR YOU TO BE FREE. Harriet sees the star twinkling. My mind is made up; tomorrow, I flee.*
In the 1920s and '30s Julius Rosenwald, the president of Sears, Roebuck & Co., donated seed grants to build more than 5,000 schools in the rural South. Through a series of narrative poems,Dear Mr. Rosenwald (New York, NY: Scholastic Books, 2006) tells the story of one Rosenwald school and of a community that dreamed of, and worked to secure, a brighter future for its children. Illustrated by Gregory Christie, the book has received three starred reviews. Here's an excerpt. Passing the Plate Homecoming Sunday, a church full. Uncle Bo didn't need to preach a sermon after going on about the new school. Said we're gathering money a nickel and dime at a time. The ushers passed the plate. Afterward, Uncle Bo waved envelopes white neighbors sent. Twenty dollars in all. Then, the choir sang The Lord will make a way somehow. Just before the service ended, Miss Etta Mae asked to have a word. I was born a slave. Worked hard even after freedom came. Never had time for book learning. Here's a dollar from money I been saving for my burial. Hurry and build that school so I can learn to read my Bible.

Carole Boston Weatherford, photo by Jeffery Weatherford Carole Boston Weatherford's poems appear here with permission of the publishers. In November Frank Stasio interviewed Ms. Weatherford on "The State of Things", a production of WUNC Public Radio, as she worked with students at Mary Scroggs Elementary School, in Chapel Hill. The third-graders had been studying Dear Mr. Rosenwald, and the show chronicled their discussion with the author when she visited the class. Click here for the interview and to listen to Ms. Weatherford read "Passing the Plate" and other poems from the book. Ms. Weatherford's first children's book, Juneteenth Jamboree (Lee & Low Books) appeared in 1995. Since then, she has received many literary honors, including creative writing fellowships from the North Carolina Arts Council for 1995-96 and 2001-02. Her book The Sound that Jazz Makes (Walker Books, 2000) won the Carter G. Woodson Award from the National Council for Social Studies (NCSS) and an NAACP Image Award nomination.Remember the Bridge: Poems of a People (Philomel Books, 2002) won the Juvenile Literature Award from AAUW-North Carolina, and was short-listed among the NCSS Notables, National Council of Teachers of English Notables, International Reading Association Teachers' Choices, and Voices of Youth Advocates Poetry Picks. Her books total 22, including three collections of poetry for adults. Ms. Weatherford has master's degrees in publications design from the University of Baltimore and in fine arts from the University of North Carolina at Greensboro. She is visiting distinguished professor at Fayetteville State University and lives in High Point with her husband, Ronald, and their teenage son and daughter. * From Moses by Carole Boston Weatherford. Text Copyright 2006 by Carole Boston Weatherford. Illustration Copyright 20006 by Kadir Nelson. Reprinted with permission by Hyperion Books For Children. All Rights Reserved.
A Garland of Holiday Poems
A garland of holiday poems strung at the offices of the N.C. Arts Council My thanks to Julia Taylor Ebel, who wove this garland of holiday poems. When Julia and I began discussing the project, we envisioned a string of poems for children. Like many garlands, this one twined longer than we expected, and in the end a few "grown-up" poems made their way into the last swag. Print it out and drape it over your mantel! Wrap it around your Christmas tree! Wear it as a holiday shawl! Whatever you do, enjoy it! -- Kathryn Stripling Byer Poetry is word play at its best. Words skip and dance across a page -- or stroll and linger. Sounds play with each other, calling us to listen, teasing our ears, leading us through the lines. Holidays offer opportunities to share timely poetry with young readers and listeners. You will find here seasonal poems by North Carolina poets. May this garland of poems brighten your holidays -- Christmas, Hanukkah, or Kwanzaa -- and usher you into the new year with a new, child-like sense of wonder. You and the child in your life can write your own holiday poems. Choose a focus first. If you ask a few leading questions, even a preschooler can give you the words of a poem to treasure for years to come. Sally Buckner gives you a start in her poem "The Second Tree." Merry Christmas! Happy Hanukkah! Happy Kwanzaa! Happy New Year! -- Julia Taylor Ebel 
Julia Taylor Ebel lives in Jamestown, but part of her heart is in the North Carolina mountains, where hikes lead to poems and conversations lead to stories. She is available regionally for school and community programs. The untitled poem that follows is by Ms. Ebel. A Christmas tree is more than just a tree, once living, then cut. A Christmas tree lives on in branches holding memories, a family's story, shared histories in single lines laced and interwoven, by life and lineage and love enduring, threaded with light to warm each heart, held by common roots. 
The Second Tree by Sally Buckner There was another tree in the Garden of Eden. . . . . . and it is evergreen, shucks brown needles just as new ones spring from limbs like slim green spears of light; roots plunge deep, hold fast in solid ground; branches spread wide welcomes. At the tip, a star, Solid core of radiance Silvering the dark. It is always the season for lights, And gifts abound, Safe in the tree's soft shadow, A new one every time I look: (Complete this poem by listing the gifts -- both tangible and invisible -- underneath your tree.) 
Advent by Susan Lefler The old woman in a Santa hat sits near me in her folding chair, surrounded by gravestones, waiting for the Christmas parade. She's probably never heard of Advent, but she knows something is coming, now that trees have shrugged off leaves and the long mountains rest, bare on their elbows, and rime ice cloaks the ground. She waits and I wait. An old flatbed covered with hay floats by the graveyard with its small tableau of children. Mary, cloaked in a blue sheet, bends over the swaddled doll in its wooden crate. Joseph leans on his stick and tries to keep the yarn beard out of his mouth. An angel lurks nearby with a crooked wing. The old woman watches and smiles. That first Christmas they made do with swaddling clothes and a stall, angels sang after the fact, shepherds and kings straggled in, late to the party. And still, the road to Bethlehem is long and we hold back, wait for a sign that something is coming, We watch and wait, the old woman and I, smiling among the stones. 
Mimi Herman in her elementary school days, and (L to R) with her mother Becki and sister Judith A Great Miracle Happened There by Mimi Herman In elementary school, I was the shyest kid in my class. The hamster or guinea pig or anaconda -- Or whatever we had as pet that year Made more noise. The cursive alphabet above the blackboard Demanded more attention. I was aiming for invisible. But every year, in December or sometimes November, According to a calendar none of the other kids had heard of (Except Kenneth Zogry, the know-it-all from Hebrew class, And my best friend Betsy Katzin), My mother arrived for Hanukah, With her bright orange pantsuit, her frosted hair, And her electric frying pan To mesmerize us with the story of Judah and his Maccabees, A battle for the boys, a miracle for the girls. That tiny bit of oil that burned for eight days and eight nights, And which my mother now poured from the Wesson bottle Into the pan. We spun dreidels, Until the tops wobbled and toppled to the ground, I held my breath. Maybe with the Maccabees on my side, I could win all the chocolate gelt. In this ancient gambling game, Even a classroom loser could become a winner. My mom let me light the menorah, That you weren't supposed to light before sunset. With both hands, I held the shamos The helper of all the other candles, And kissed each wick with flame, While latkes sizzled in oil in my mom's frying pan. A miracle! Potatoes turned into pancakes! We ate them from paper plates, with plastic forks. Slathered them with sour cream or applesauce. My family's weird food, which the other kids loved. The whole class sat rapt at my mother's stories. I was -- for that one day -- visible, My mother's glowing child, The shamos, the winner, the girl draped in apples and cream. A miracle. 
Old December by Heather Ross Miller Mistletoe, myrtle, and oak to my west, and a long roll of old pastures, these my best wild treasures, unearned and for free. The trees of Hebron and Galilee, the white pagan berries for kissing at Christmas, and the durable dark thicket. Winter solstice, and the dried- up old druids, the old tea-leaf readers, hover outside, dreading to climb my trees, oh, how brittle their bones, and the sun like a thin gold sickle. New moon, old moon, half moon, horned - the night overwhelms them as they slice the boughs, and the woman whose house this is, the woman I am, sees. 
Countdown to Christmas by Joy Acey Ten moose on the roof stringing colored lights for Santa to find them on Christmas night. Nine happy beavers gnaw a balsam tree then haul it home for all their friends to see. Eight calling blue jays hang balls with silver string. They're chirping of gifts that Santa Claus will bring. Seven jolly chipmunks believe nobody knows what's inside each package they've tied with satin bows. Six ruddy raccoons all rush to write their lists toys they want from Santa, so no one will be missed. Five gray mice practice singing Christmas songs. Santa is coming. They hope it won't be long. Four chubby woodchucks measure, sift and beat, baking sugar cookies for Santa Claus to eat. Three bushy squirrels stack those cookies on a tray, leave them for Santa and the deer who pull his sleigh. Two lop-eared rabbits pour milk into a glass, each of them is wishing tonight will quickly pass. One sleepy little bear tries patiently to wait to spy Santa Claus, but it is getting late. His eyes keep closing as the time ticks on. Soon he falls fast asleep long before the dawn. In the morning when he opens up his sleepy eyes all around the Christmas tree he sees a big surprise. Presents stacked everywhere! Oh what fun! Laughing friends dance and shout, "Happy Christmas, Everyone!" 
Wreath drawing by Julia Taylor Ebel Snow Lace by Julia Taylor Ebel Snowfall frosts green of hemlock boughs and laurel leaves, weaves white lace on every twig of birches, beeches, and oaks. 
Michael Beadle Dashing Through the Stores a parody by Scott Kinard and Michael Beadle Dashing through the stores With a red-hot Christmas list Lines are way too long -- How do I pay for this? Molly wants a doll. And Tommy wants some boots. If I don't get them wrapped on time, My kids will think I'm Scrooge! O, Mistletoe, G.I. Joe, Playstation number 3 Stars Wars game For what's his name To place under the tree. Parking space, smiley face, It's snowing all around. Sleigh bells ring. People sing. I love that Christmas sound. Silent Night by Michael Beadle Thick flakes fall feather lazy, everything soft as a prayer. Blurry streetlights, an eerie lemon. Bare limbs earn new clothes. Inches rise, clouds mound over a deserted pickup with windshield wipers stuck in mid-sweep. Your face aglow in kitchen candlelight. A burn on my lips as I kiss your forehead, twice for good luck. I remember not wanting to break the spell of a night that made us mute with wonder. I remember not wanting to say anything at all, wanting the snow to say it for me. 
The Snowflakes' View of Town by Carol Boston Weatherford 

Holly drawing by Julia Taylor Ebel Christmas Wren by Julia Taylor Ebel
Deep in December darkness holds night, light comes slowly, yet a cold winter wren on frozen branches sings to morning. 
Kathryn Stripling Byer's dog, Bro Inside Christmas Day by Kathryn Stripling Byer If Dog is Love, as the bumper stickers say, then Love is playing in the snow today, her long nose white as whipping cream I'll beat into sweet snow drifts for pumpkin pie that's cooling on the countertop. I watch my Dog's shenanigans, from my place among the pots and pans. The turkey's sizzling, green beans simmering, cinnamon and clove scent rising from the potpourri while all around us, Dog and me, this Christmas day hangs, shimmering. 
Santa Belled the Christmas Cat by Allan Wolf At the North Pole each December, Santa sets about adorning sleigh-bells 'round his good Cat's neck to give all Mouse-Folk ample warning,
so Goodman Mouse might scurry home to share his family's Christmas cheese and sing a squeaky wassail with a mousling on his knee,
then gently kiss dear Goody Mouse beneath the mini-mistletoe. So next time when you hear a chime at Christmas time you'll know: Santa belled the Christmas Cat, and Goodman Mouse is safe at home. Nine Years Old and All's Well by Sally Buckner
Just before dawn, stars glint like bits of frost in the velvet Christmas sky. Inside, our Heatrola roars a toasty blast. Cozy beneath the shelter of our cedar, I inhale its spice and relish the threads of silver glistening from its boughs, exult in the treasure beneath: Roy Rogers gun-and-holster for tomboy me, baby doll and layette for my motherly sister, a tumble of boxes bound in red-and-green mystery, a stash of tangerines and chocolate kisses. On the sofa, a broad smile on her rosy face Mama perches in her flowerdy cotton robe. Behind her, sipping black, black coffee, Daddy grins from his recliner. At his feet, Sister sits cross-legged, in dazed delight. In that little room, happiness bubbles like the the hot chocolate simmering on the range; its glow almost as dazzling as the rainbowed rope of lights spiraling to the tip of our aromatic tree. 
Nine Holiday Haiku by Lenard D. Moore 1 December night -- assembling in the den the purple bicycle 2 black dance ensemble dances beneath mistletoe -- windsound ongoing 3 African wedding at the Kwanzaa celebration -- the full moon rises 4 a brown-eyed woman dusting off last year's ornaments -- shadow of a pine 5 twelve-year-old girl thumbing through Christmas cards -- cedar-scented room 6 dreadlocked mother in the winter homeplace unwrapping gifts
7 Christmas Eve an apple-stuffed stocking hangs from the mantelpiece 8 a little girl sings Christmas carols with her mother -- night snow falls and falls 9 on Christmas night the progression of falling snow -- the sound of bells 
Snowglobe by Lorraine Stark I see the snow falling within the glass A picture perfect scene glued together Where children stand like statues frozen Watching snowflakes remain upon faux grass Same forecast each day no change in weather In the background each character chosen When turned upside down it does not matter No one looks any slimmer or fatter See Santa waving his bell made of brass As children skate around a Christmas tree Vendors on sidewalks sell their homemade crafts I marvel at the details so tiny Inside a setting where time does not pass Winter's beauty encased in fantasy 
Nativity by Rand Brandes When the SS screen Flashed our unnaturally Green family tree Under the Christmas lights It struck me -- I had forgotten Your middle name -- June, Roberta June, Summer solstice And sunshine Lit the room, The strange snow melting. 
The Day after Christmas by Kathryn Stripling Byer Scent of ashes fro
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